Wednesday, 30 March 2016

Argentina 1985 - J.B. Alberdi Banknote

Czeslaw Slania engraved two banknotes for Argentina. The first was issued in 1984 with a value of 5000 Pesos Argentinos. The Pesos Argentinos was in use from 1983-85. In 1985 these banknotes were overprinted with 5 Australs, the new currency. The Austral was in use until 1991.  In this blog I will study the 1985 version of the banknote, which is identical to the original except for the addition of the 5 Austral overprint box (on the left side of the obverse and the right side of the reverse). The second banknote he engraved for Argentina was the 1993 50 pesos value. I'll cover this banknote in a future blog (after I've managed to buy it!).

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The obverse of the 5 Austral banknote is dominated by the portrait of Juan Bautista Alberdi, an Argentine diplomat and political theorist.


He was born in San Miguel de Tucuman, Argentina, on 29 August 1810. In 1814 his counrty was plunged into Civil War. The political tensions surrounding the Civil War cultivated in Alberdi a growing interest in such affairs. It became clear from his early career that he disagreed with the current political situation in Argentina. He was a founding member of the "Generation of 37", a group of liberal intellectuals. They criticised both factions of the Argentine Civil Wars; the Federals were too violent and the unitarians totally incapable of rule. The group was especially opposed to the Governor, Juan Manuel Rosas. The group was eventually discovered by Rosas' government and most of its members emigrated to other countries. Alberdi emigrated to Uruguay in 1838. This marked the beginning of his exile, which lasted most of his life. Whilst in exile he attained a Law Degree and he did a lot of writing which included theatre plays.

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In 1852 Juan Manuel Rosas' government was overthrown. Alberdi was instrumental in establishing a new constitution. The image on the reverse of the banknote depicts a meeting to discuss the writing of the new constitution. The engraving on this image is fantastic. From the expressions on the faces, most of which seem different, to the lovely balloon back chairs. Even the cloth draped over the table has a life of its own.


Until next time...

Stay Slania Crazy!

Saturday, 26 March 2016

Sweden 1960 - World Refugee Year

Fifteen years after World War II there were still many refugees held in camps in Europe under deplorable conditions. In 1960, an initiative to sort this horrible situation out was put forth by the United Nations. The programme was launched with the goal to "clear the camps". It achieved excellent results. By the end of 1960 all refugee camps in Europe were officially closed.

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On 7 April 1960 Sweden issued a set of two stamps for World Refugee Year. One of the two stamps was engraved by Czeslaw Slania. The stamp engraved by Slania is incredibly poignant, and reflects the sadness and crowded conditions those unfortunate enough to be in these camps must have felt.


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The other stamp in this set was engraved by Arne Wallhorn. It depicts the uprooted oak emblem.



Until next time...

Stay Slania Crazy!

Tuesday, 22 March 2016

I Found...An Excellent Tribute Essay

Yesterday I was once again perusing the Czeslaw Slania Study Group's newsletter Up Close. In it I stumbled across an excellent essay paying tribute to the work of Slania. I thought it would be really nice to share it on this blog. The essay was written by Alice Archie. It was printed in Vol. 1 No. 5 1986. I hope you enjoy it as much as I did...



Until next time...

Stay Slania Crazy!

Monday, 21 March 2016

I Muse...On Title Pages

For some time now I'm been pondering the idea of title pages for each country in my Slania collection. At present I use hagners to house my stamps, so for continuity purposes within the stamp folder I intend to use single strip hagners in which to place the title pages. That means the pages need to be designed to fit in this space...


This space is smaller than a regular A4 page, so I would need to add a border of these dimensions and cut the printed out page to fit. So far, so good.

Thinking about the design of the title pages, I don't want anything too busy. I want to try to convey simple clarity. I then had the idea to add a watermark to the page. At first I considered one of my favourite Slania stamps. I tried a few, but I found them too busy, making it difficult to read the text of the title. 

A few days ago it was the anniversary of Slania's death. While working on a tribute blog I came across a nice postcard image of Slania designed by Lars Sjööblom. I took the image and fiddled with it, turning it to gray-scale on Publisher and lightening it so it became a watermark. I then added a bit of text just to see what it would look like. This is what I have so far. It is by no means complete, but I like the look of it so far...


What do you think? Any thoughts? Ideas?

Until next time...

Stay Slania Crazy!